Indeed, I want to say we have no space-aggregated and aggregated before, public art is public art, not a work of art that was brought into the public domain ? not all the art outdoor public art could be a connection with FKY, weather the practice of ?Art for the People? into learning later? On the one hand there is an art that involves the public, it will obviously be accepted by society ? at least the following process, and the only work of artists with studio and immediately presented to the public.
Was not it enough we learn the artist Roy Lichtenstein, Claes Oldenburg, Robert Morris, Isamu Noguchi, Niki de Saint Phalle, Tony Smith, Pharmacies Comics, Samuel Indratama and others. In essence, public art executed / works for and is owned by a community or community members. Participatory and interactive nature of his work (being an integral part of public space). The community is involved in the process, to talk, invited to get involved or do, at least be the basis of reasons why a work is considered important in a particular place.
In scrutinizing the activities of FKY as a whole, the art community is really up to when the work involves the community, but there are some works of ?acquisition? of artists prominent in the public domain. May be a consideration for us in the subsequent events, be it a festival, biennalle, or art activities for or involving the general public. Do not forget we have accomplished artist or observer-performance art before us (history).
Even if it still intends to bring public art into non-public areas, plenty of things to improve both our first. One of them, if the current minimum education standard (compulsory education) is a 12-year national (junior level), then at least junior high school graduates also have no understanding of art, minimal art knowledge they again did not differ much with the knowledge of artists.
Source: http://peerpex.com/yogyakarta-arts-festival-fky.html
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